i brought images with me, mainly the midwife and the mirrors
i like to think about midwifing the situation
i like to think about planting various mirrors within the situation
i realise again that i work in images
i realise that a lot is familiar, intuitive, and i also want to think differently to that
my instagram account was already inside.eye
the pain of authorship
sometimes the play and the language are obvious and we all arrive to the same place in it
it was pointing there anyway
it was all about authorship, frames, relationships
unusually i have a name-twin in janine
i notice that and think it through the weekend
i think about symbols and what they refer to
i wonder about the specific relationships between dramaturgs and the artists
case study maybe
chemistry
paul and i have a lot of fun
i feel my brain working so well
happily in the kitchen
beyond tired
everyone commits to what we are doing, and often we don’t know what that is, but something unasked gets answered through doing
taste
comfort
i over-use the word partition; i thought about back-up and storage but didn’t share that part
the word promiscuous was available, martin said it maybe three times
i enjoyed the arrival at my pen, of this phrase: everyone in the audience a partner
(everyone in the audience a partner)
everyone in the audience a partner.
everyone in the audience a partner?
everyone in the audience a partner!
:everyone in the audience a partner
everyone in the audience a partner=
+everyone in the audience a partner
*everyone in the audience a partner
#everyone in the audience a partner
everyone in the audience a partner/
everyone in the audience a partner
i think about how, for me, it is all in relationship(s) and that doesn’t really happen in the abstract
the concept of the cat in the studio that i invented when i was working with thomas
i wonder if that idea can carry over or if it was just for his situation
and when to hold back and when to add more
like salt
like words
and how it all starts with the ground of-
and how sometimes all i can do is-
and how sometimes all is needed to begin is-
to give attention:
be/ with*
and what theo said about having mothers in the room
(theo was not in this room)
and how miranda talked about her availability and being with the thing when she was with it, and then leaving that when she wasn’t
how this is also something i recognise in dynamics i’ve had in others’ works, how it maybe then gets the best of me
the care of other people’s children as a structure
stewardship
noticing how personal themes come through
and what they offer
and when to hold them back
and more, obviously
*i stole this combo from shannon
people, some who weren’t in the room: paul hughes/ martin hargreaves/ janine fletcher/ miranda laurence/ thomas dupal/ theo clinkard/ shannon stewart
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