Welcome to The Red Line

If you are involved in making performance – as a choreographer, maker, dramaturg, producer or performer – then this is the place for YOU.

THE RED LINE is the brainchild of South East Dance’s Dramaturg in Residence Lou Cope and is inspired by the French phrase ‘le fil rouge’ (which is used to describe the ‘common thread’ that runs through the heart of a show,
or in this case – a making process).

 A place to spark dramaturgical thinking as you experience the preparation, making and presentation of performance work.

A place to blast open the studio doors
delve into the how, rather than the what
reveal process, rather than ideas
share and learn

Want to have your say? Submit a Blog

Featured Video

An introduction to The Red Line by Lou Cope, South East Dance’s Dramaturg in Residence


This section of The Red Line is all about what you do before rehearsals begin.
What is the preparation process like for you?

How do you begin?
Where do your ideas come from?
How much, or how little, do you know on Day 1?
How do you prepare – alone, or with someone?
What does R&D mean to you?
What do you do outside of the studio?


This section of The Red Line explores what happens during rehearsals.
As we all know, it can be the best and worst of times.
What is the making process like for you?

Do you have a methodology or is every process different?
Is there a part of the process that you particularly enjoy, or feel particularly good at?
What mistakes do you most often make?
How do you adapt to different styles of performers?
How do your works get structured?
How do you get through blocks/over hurdles?
How do you get feedback on what’s developing?

How To Get Involved

We invite you to get stuck in and make use of this site.
Use it to ask questions, get advice, share your thoughts and get a glimpse into the secret worlds of other artists, dramaturgs and makers.
Sign up here to share content or join a conversation…


This section of THE RED LINE is about show time:
how to give your work to an audience and how to
articulate it.
What is the presenting process like for you?

How do you cope with technical and dress rehearsals?
How do you prepare performers for performance?
How do you feel about articulating what it is you have made?
How do you gather feedback, and what do you do with it?
How much does your work change by being repeatedly performed?
Do you always, or ever, like your work?

Featured Blogs

Rachel Birch-Lawson: Getting personal in Unassailable Us

This piece, Unassailable Us, has gone on the longest journey of any piece I’ve made – both in terms of time (evolving as an idea over four years to date) and, after multiple iterations, ending up in a piece as far from the original starting point as I could have imagined. What started off as…

9 minutos. Scriptwriting research through choreographing circus artists.

9 minutes is a new piece from award-winning choreographer Jorge Crecis. For this multi-disciplinary experiment, Crecis will be creating different chapters of the same piece in different locations throughout the academic year 2018-2019, bringing together  top european institutions: studio XL (Italy) University of Malta (Malta), EDGE, RADA and NCCA (London, UK) in a mind-bending exploration…

Overcoming Unforeseen Challenges

Written by Isaac Ouro-Gnao We’ve all had to face challenges in the industry. From emergency drop-outs to last minute changes, creating dance theatre never stops being tricky. Body Politic was met with quite a challenge in our recent project Father Figurine. Though it did not prove insurmountable in retrospect, it was quite colossal to face…